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29 May 3
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Iceland, Eyjafjallajökull and Sean Stiegemeier

Under - Art, Media, Nature, Photography

So I saw all of these mediocre pictures of that volcano in Iceland nobody can pronounce the name of, so I figured I should go and do better. But the flights to get over took forever as expected (somewhat). 4 days after leaving I finally made it, but the weather was terrible for another 4. Just before leaving it got pretty good for about a day and a half and this is what I managed to get.

Wish I had more time. I missed all the cool Lightning and the Lava of the first eruption. But I figure this will just be a trial run for another day.

View more by Sean Stiegemeier.

Till Gerhard

Under - Art, Inspiration

Till Gerhard, based in Hamburg (Germany), paints large-scale canvases of rural communities, with delicate spills of colour and heavy brushwork, drips, splashes and smears in an unsettling atmosphere.

Till Gerhard

Till Gerhard

Till Gerhard

Till Gerhard

18 May 7
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Book sculptures by Jacqueline Rush Lee

Under - Art, Inspiration

We have seen Alexander Korzer-Robinson’s amazing work with books. Here comes Jacqueline Rush Lee who is deeply inspired by the materials, colors and forms in her everyday environment.

Jacqueline Rush Lee

CUBE / In the Collection of Allan Chasanoff, NY

For almost a decade I have found myself drawn to the intimate, tactile, and symbolic qualities of used books. I am interested in how these recycled books come with their own histories of use and meaning and how they serve as potent vehicles of expression. With the idea of working with them as my canvas or building block, I transform the books into sculptures that explore and redefine the book as familiar object, medium, and archetypal form. By scrambling the formal arrangement of the book and transposing its material and conceptual qualities, I aim to create evocative art forms that suggest an alternative narrative.

Jacqueline Rush Lee

Flutter (Devotion Series) 2008 H3.5” x W6”x D5” Used Book, Hand-Painted Ink

Jacqueline Rush Lee

Flutter and Anthologia details

Jacqueline Rush Lee

Anthologia (Devotion Series) 2008 H9 xW9 xD6 inches. Used, assembled books, hand-painted, sanded, burnished inks, bookmarks, archival glue

Jacqueline Rush Lee

Book of R’s 2003 H15.5

Jacqueline Rush Lee

Unfurled (Devotion Series) 2008 and Peacock (Devotion Series) 2008

15 May 5
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Luis

Under - Art, Inspiration, Media

This is an incredible piece of stop-motion video created by Niles Atallah, Cristobal Leon and Joaquin Cociña. I like it very much except the unnecessary swearing towards the end.

Luis is the 2nd short video of the series ‘Lucía, Luis y el lobo’ (‘Lucía, Luis and the Wolf’), it is a follow-up to the short video Lucía. The video was shot frame by frame with a digital photo camera.

Viewer discretion is advised: Lot’s of swearing toward the end

11 May 3
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Dado Queiroz and realm of design

Under - Design, Illustration, Inspiration, Typography

I’m so full of praise for the Latin American art and design that I wish to go there and actually spend some time. I admire it not because I like it or have built a taste for it over the time but because it is genuinely inspiring, mature and unique. It has its own flavour, whether it is typography, illustration or graphic design, I always came across something stunning from that part of the world.

Dado Queiroz’s work is a statement of brilliance in terms of its style, identity and potential. Born in Curitba (Brazil) in 1980, he currently works at DDB in São Paulo.

Dado Queiroz

So, let’s talk about you. How it all started?
I studied ‘Architecture and Urban Planning’ for one and a half year, until I drop it to start doing freelance illustration projects. It didn’t work out quite so well, so I started studying Graphic Design in 2000, finishing in 2003.

After that I started a small solo studio with only me and occasionally my wife at that time (I got married in 2004). Then the studio got a little bigger, when I invited my good friends Anderson Maschio and Beto Janz to be partners. It was called ‘estudiocrop’. Later on, Renan Molin joined too, still as an intern, and became a good friend of all of us.

In the end of 2006 Renan had to focus on his graphic design course’s final project, Beto had some issues with his personal life and so did I, as I got divorced, so it seemed like we should take some time off. A time from which we never got back, as we decided to end the studio. Each one of us took a separate path: I ended up coming to DDB Brazil, from where I was laid off about one year later. Me and Renan then tried to get estudiocrop back together, but it didn’t work out as we expected. So a few more months down the road I came back to São Paulo and rejoined DDB once more.

Dado Queiroz

Dado Queiroz

What keeps you going?
What keeps me going on in my personal life are the good times, the laughter, some Seinfeld episodes, good beer, greasy food, learning how to play the guitar, music, travelling and stuff like that. Professionally, it is almost an addiction to that feeling you get when you finish a piece that you think is good. This and some nice people you get to know along the way, the evolution of the work, the expressiveness that any graphic piece can carry, the money (yes, the money, why not?) and, more recently, a new pleasure giving lectures and conducting workshops.

Your unique style – how it evolved to what it is now?
I wouldn’t call it unique, although I tend to get feedback from people talking about ‘my personal style’. I guess it came along when I started focusing more and more on what I like to do when designing something or making an image, and not so much on what people expect or what is trendy or strategically correct right now. I figured, since I’m going to spend some 75% of my waking hours working or doing work related stuff, I might as well do what I like. After all, it’s my life going down the drain and I don’t want to spend it feeling frustrated or angry or whatever.

So, as it turns out, I like to draw letters, to try expressive compositions and to shade stuff a lot. So this ‘style’ is really just a natural development of what I like to do. There were no big plans to build a style. Or, rather, a ‘personal’ style just started to surface when I stopped caring about having a personal style – which to me makes perfect sense. If it’s your style, it’s something natural… it’s not something you can force to happen, right?

In technical terms, at this time, it is all basically Photoshop and my Intuos3 tablet. From sketch to finish it all happens there, including the vectors, that I started doing directly on Photoshop (but of course I still use Illustrator for all vector or for more complex vector work). And I say ‘at this time’ because the techniques I develop usually evolve from time to time, not really to get better or more efficient, but much more to avoid getting so damn tedious to do the same thing over and over.

Dado Queiroz

Sort of a cliché question – what’s the source of your inspirations?
My inspirations are 95% out of the realm of design or illustration. And again, it’s not a noble pursuit like ‘I just want outside references and blahblahblah’. It’s much more because I find it a bit boring to see the same design/illustration pieces over and over on the internet or books, all very well done, but basically all the same. You see 300 images that are essentially the same, just done by different people for different purposes. I find it very boring. And not only that, I find it harmful to my own work, since it can influence me rather than just inspire. What I usually like to see is architecture, furniture, product design, photography, microscopic and other botanic/organic related photography (great for forms and natural patterns) and some type related imagery.

Dado Queiroz

Dado Queiroz