This groundbreaking NRDC documentary explores the startling phenomenon of ocean acidification, which may soon challenge marine life on a scale not seen for tens of millions of years.
Acid Test was made to raise awareness about the largely unknown problem of ocean acidification, which poses a fundamental challenge to life in the seas and the health of the entire planet. Like global warming, ocean acidification stems from the increase of carbon dioxide in the earth’s atmosphere since the start of the Industrial Revolution.
From teaching high school students to producing websites for hi-tech companies, and from meditation retreat in rural India to getting inspiration from Italian Renaissance, Kate D. MacDowell eventually settled on creating ceramic masterpieces.
Kate’s hand-built porcelain sculptures are in part responses to environmental threats and their consequences, revealing the rifts and frictions in the union between man and nature. They also borrow from myth, art history, figures of speech and other cultural touchstones. Her work has been shown throughout the US, and in Japan, the U.K. and Europe and in the Art Amsterdam, Art Hamptons, and NEXT Chicago contemporary art fairs.
She won several national clay awards in 2008 and 2009 including Best of Show for Feats of Clay, the NICHE awards (Hand built Ceramics), an Award of Excellence for CraftForms , first prize for Viewpoint: Ceramics , and first prize for Clay? II . In 2007 she was given full funding summer scholarships to the Penland School for Crafts and the Watershed Center for Ceramic Arts. Her images have been published in 500 Ceramic Sculptures, the New York Times Sunday Magazine, Calle20 (Spain), O.K. Periodicals (Netherlands), Creative Review (UK), Ceramics Monthly, and Hi-Fructose and online at notcot.org, formfiftyfive.com, abduzeedo.com, treehugger.com, juxtapoz.com, beautifuldecay.com, and many other sites. She recently exhibited in the NCECA Invitational exhibition “Earth Matters” in Philadelphia in spring 2010.
Based in Portland OR, Meredith Dittmar grew up in a world of pet pigs, horses, hay-forts and spy games.
Dittmar’s human-animal-plant-energy amalgams contain threads of common elements and colors to express deep levels of union across themes of biology, technology, and consciousness . Her characters are frequently involved in quiet expressive moments, or lounge facing their audience so they can share their inner space. Dittmar believes it is this space we recognize in ourselves, and through convening in that space, the interconnectedness of all things is revealed. She sees the act of spontaneous artistic creation as part of a larger practice of being present, and a way to better understand herself and reality.