This incredible performance by Paul Potts on Britain’s Got Talent back in 2007 is never going to go old. The 90 seconds spirit-lifting performance in this clip by Paul Potts is not only inspiring but motivational as well.
Category Archives: Media
Gap unveiled their new logo few days back that nobody seems to like – designers to consumers alike. I’m completely stunned to see this redesign getting approved and released for a brand that took more than 20 years to build and doing business over billions of dollars a year!
The redesign not only looks unprofessional but ridiculous and non-serious as well from a company that already owns owned an iconic symbol. It appears to be a quick comp in MS Word by someone without a sense of direction, confidence and leadership.
Logo redesign is closely aligned with branding and any negativity around brand symbol sure hurts businesses very hard. Gap is now trying to engage with the consumers for suggestions to avoid the continued backlash around this redesign which took place in the name of ‘modernisation’.
On Brand New website, an overwhelming majority of 90% visitors voted this evolution as ‘bad’.
Good.is published an article applying the Gap redesign approach to some well-known logos which shows how simple it is to destroy years’ hard work.
I must admit that I’m starting to like HDR videos. The effect somehow looks even better in motion than stills.
Patryk Kizny shot these two short films (below) featuring a combination of time-lapse photography and HDR videos. Patryk Kizny’s method of creating HDR video is frame by frame which is different from Soviet Montage’s, who actually shot over and under exposed videos with two Canon EOS 5D cameras simultaneously. Both methods might have their pros and cons but the stuff below is simply beautiful.
He also put together his timelapse post-production workflow here just in case if you are curious.
Very innovative use of iPad by Dentsu and BERG in this iPad light painting video ‘Making Future Magic’:
This film explores playful uses for the increasingly ubiquitous ‘glowing rectangles’ that inhabit the world.
We use photographic and animation techniques that were developed to draw moving 3-dimensional typography and objects with an iPad. In dark environments, we play movies on the surface of the iPad that extrude 3-d light forms as they move through the exposure. Multiple exposures with slightly different movies make up the stop-frame animation.
This wearable head-mounted display concept is not new but projecting something directly onto the retina sure is. Brother’s AirScouter wearable Retinal Imaging Display (RID) prototype, shown at the Brother World Japan 2010, creates a mysterious effect, making it look as if there’s a 16-inch screen floating one meter in front of the eyes, and the scenery behind the screen seems transparent as well.
This display uses the ‘persistence of vision’ effect to project pictures onto the retina. It does this by shining a light, at a level of brightness that’s safe for the eyes, and moving the light at high speed. The images projected on the retina are recognized by the visual sense, making it seem just as if they are floating just in front of the eyes. Learn more
Amazing piece of technology, just that how one would look making a video call on this once Smartphone connection is possible or using an iPad style app in public? I never used a Bluetooth wireless headset (and will not either) having seen how people look while talking and staring at walls (or sometimes at you) in the middle of a corridor or sitting alone at a table in a restaurant or in a bus. Apologise to those who love wearing these – it is just that I can’t.
Although I’m not a big fan of HDR photography but sometime you get to see something really awesome such as this HRD video by Soviet Montage. This seems to be the first ever attempt to create HDR video and the overall effect is intensely dramatic and comic … may be it is meant for videos!
This video highlights several clips we’ve made using our new High Dynamic Range (HDR) process. Video is captured on two Canon 5D mark II DSLRs, each capturing the exact same subject via a beam splitter. The cameras are configured so that they record different exposure values, e.g., one camera is overexposed, the other underexposed. After the footage has been recorded, we use a variety of HDR processing tools to combine the video from the two cameras, yielding the clips you see above.
This groundbreaking NRDC documentary explores the startling phenomenon of ocean acidification, which may soon challenge marine life on a scale not seen for tens of millions of years.
Acid Test was made to raise awareness about the largely unknown problem of ocean acidification, which poses a fundamental challenge to life in the seas and the health of the entire planet. Like global warming, ocean acidification stems from the increase of carbon dioxide in the earth’s atmosphere since the start of the Industrial Revolution.
Interesting compilation by Trey Ratcliff.
I spend a lot of time thinking about the way memory and sight work together. I don’t think we remember in “pictures” or long videos… but something in between. Perhaps we also sense, at times, more than 30 fps, and unexpected parts of the brain fire when we are presented with certain objects and forms.
When you want to see art and graphic design together in perfect harmony, look at Fabien Barral’s work. Playful colours, intriguing textures, shapes and typography – it is refreshing, inspiring and very tastefully done. I wanted to learn about the person behind these amazing designs so I thought to ask Fabien a few questions.
First of all let’s talk about you, where are you based and everyday life?
I am Fabien Barral and I live in France. I used to work from my country house located in the middle of France for the past 8 years but moved back in the south last year… just to move again to another house last month because it is in the middle of an organic vineyard with a large garden. I can go to my daughter’s school by foot and have a larger office that I ever had! I am a freelance designer for almost 4 years now, before that I worked as an art director for 6 years in an agency.
You have a very distinct style which tells me that design is more than a job to you. Where it all started to become what it is now?
It has always been like that – it did not start, it was in my DNA. I never had any talent in drawing… just ask me something to simply reproduce with a pencil and it would look terrible!!! This was frustrating when I was a child, so I started cutting out magazines and do comps with them. My mother showed me those comps the other day, funny !! Later, I started playing with Xerox. Then computer came in my life and I could express myself… but not with computer alone, with all the images I liked and could get hold of in second hand book markets, things that could be textures, and made my images to look what they are. My wife Frédérique does amazing watercolours, textures and other shapes and stuff I use in my work… so yes, it is not a job, it is an everyday living philosophy.